Domhnall Gleeson plays Daniel, the shy, awkward bureaucrat sent to evict them. In an interview with RogerEbert.com, Gleeson talked about finding the right tone for the story, creating one of the movie ...

In the end, it’s not a perfect comedy, but a nice reminder that a fest like Fantastic doesn’t always have to be about body horror and the end of the world. The very existence of Nicolas Curcio’s “Play ...

Three new horror films from Fantastic Fest, including a sequel to an indie hit from 2024 and the latest from the Adams family.

Sharon Horgan delivers another terrific, sharp comedy about women, relationships and the perils of aging.

The Midnight Madness section at TIFF has a reputation for its histrionics and crowd-pleasing thrills, but it’s also a programming block that stealthily introduces delightful eccentricities off the ...

As one of the first festivals to have a slate dedicated solely to television, the 11th year of the Toronto International Film ...

On three true stories from TIFF that smother strong acting work in ineffective filmmaking and storytelling choices.

There’s no way you can watch Barry Avrich’s empathetic documentary “Darlene Love: I Know Where I’ve Been ” and leave without ...

Paired with incisive, witty insights into family dynamics, the mysteries are sharp as blades and prickly as barbed wire.

On three movies about the theatre, films that showcase incredible work from Julianne Moore, Andrew Scott, and Sarah Paulson.

No one does romance like the “Outlander” franchise. Part of the reason is that it’s a rare kind of television that isn’t ...

In 2026, the nuclear family is increasingly rare. Separated parents, step- or half-siblings, and split holidays are the new ...