This year marks another major transition for the festival, with their market endeavour taking over the convention centre just ...

The Assassin(s),” “Diary of an Old Man,” and “It’s My Time.” And yet there’s another narrative spine that connects them: these are projects that challenge our obsession with easy narratives, ...

Brothers” plops the two Oscar-caliber movie stars (though McConaughey teases Woody that he’s never won one) into a sunny, ...

Brutally patient and triumphant in its love for its characters, it captures reality with painstaking clarity while ...

Here she’s back in fine form, effortlessly balancing a large ensemble of colorful side characters, while the undeniable chemistry of her leads (Reinhart and Tom Bateman) shines through thanks to the ...

In the end, it’s not a perfect comedy, but a nice reminder that a fest like Fantastic doesn’t always have to be about body horror and the end of the world. The very existence of Nicolas Curcio’s “Play ...

A giant snake movie that barely lets us see the snake, choosing to throw the camera around and turn up the aggressive score ...

Domhnall Gleeson plays Daniel, the shy, awkward bureaucrat sent to evict them. In an interview with RogerEbert.com, Gleeson talked about finding the right tone for the story, creating one of the movie ...

Three new horror films from Fantastic Fest, including a sequel to an indie hit from 2024 and the latest from the Adams family.

Paired with incisive, witty insights into family dynamics, the mysteries are sharp as blades and prickly as barbed wire.

The Cycle” isn’t the first film to transform a family drama into a monster movie, but it feels fresh due to the commitment of ...

The Midnight Madness section at TIFF has a reputation for its histrionics and crowd-pleasing thrills, but it’s also a programming block that stealthily introduces delightful eccentricities off the ...