Domhnall Gleeson plays Daniel, the shy, awkward bureaucrat sent to evict them. In an interview with RogerEbert.com, Gleeson talked about finding the right tone for the story, creating one of the movie ...
The Midnight Madness section at TIFF has a reputation for its histrionics and crowd-pleasing thrills, but it’s also a programming block that stealthily introduces delightful eccentricities off the ...
Paired with incisive, witty insights into family dynamics, the mysteries are sharp as blades and prickly as barbed wire.
Three new horror films from Fantastic Fest, including a sequel to an indie hit from 2024 and the latest from the Adams family.
On three true stories from TIFF that smother strong acting work in ineffective filmmaking and storytelling choices.
There’s no way you can watch Barry Avrich’s empathetic documentary “Darlene Love: I Know Where I’ve Been ” and leave without ...
As one of the first festivals to have a slate dedicated solely to television, the 11th year of the Toronto International Film ...
Sharon Horgan delivers another terrific, sharp comedy about women, relationships and the perils of aging.
A dispatch on three Midnight Madness releases from Toronto.
No one does romance like the “Outlander” franchise. Part of the reason is that it’s a rare kind of television that isn’t ...
On three movies about the theatre, films that showcase incredible work from Julianne Moore, Andrew Scott, and Sarah Paulson.
In 2026, the nuclear family is increasingly rare. Separated parents, step- or half-siblings, and split holidays are the new ...
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