Filmes de Plástico is one of the most fascinating production companies in Brazil. In a sense, it is more of a collective than a traditional film producer. Composed by André Novais Oliveira, Gabriel ...

In 2018, the Chilean duo Cristóbal León & Joaquín Cociña made a splash with their creepy animated film, La Casa Lobo (The ...

Emmanuel Marre won the Best Screenplay Award at this year’s Cannes Film Festival for A Man of His Time aka Notre Salut, ...

Following the trend of selecting young filmmakers in the competition, as with Nelson Yeo’s The House on the Moon, Locarno ...

You don’t realise how tough it is to make a good documentary until you see ones which fall short. For a documentary to ...

One of the most culturally talked-about moments of 2026 was the Super Bowl Halftime Show performed by Bad Bunny. Despite the ...

The oeuvre of Denis Côté is uncomfortable, answerless. His multiple works approach the mundane, the psyche, leaning towards ...

It was notable at this year’s Cannes how many movies re-examined France and the Second World War. It’s been obvious for some years now how the French film industry has been retelling its own stories ...

The French filmmaker Sarah Leonor returns to the Locarno competition after seventeen years, when her A Real Life (Au voleur) ...

In 2018, the Spanish director Meritxell Colell Aparicio presented Con el viento (Facing the Wind), which played at the ...

Filmes de Plástico is one of the most fascinating production companies in Brazil. In a sense, it is more of a collective than ...

The end credits confirm genAI was used for parts of Titanic Ocean. This is a disgraceful choice by writer-director Konstantina Kotzamani because it insults all the hard work of her cast and crews.