UK branding studio The Click know that universities don’t compete on logos, but on belonging – that’s why they’ve designed a visual identity that is braver, not louder.
Instrument’s CCO Nishat Akhtar speaks to the company’s 20 plus years in design and technology, and its history of being one step ahead of the game.
After a decade shaping the publication’s visual identity, the New York-based photographer turns inward with a five-year photobook exploring family and mortality.
Your career is starting to feel stagnant and you know you’re staying in your comfort zone – how do you take steps to progress to the next level? Kat Wong offers her advice in this week’s Creative ...
Inspired by 90s edutainment, Final Fantasy, renaissance paintings and editorial illustrators, Louie Zong believes that sitting in the intersection between the past and present is the key to making ...
Online, images are increasingly treated less as singular works than as pieces of a broader aesthetic puzzle – each with a distinct label. But what gets lost when creativity is compressed into ...
A way of confronting the frictionless, highly automated nature of modern life, Dia de Feira (Fair Day), is a series that honours the bustling bodies and clashing senses of the local market.
Human at the core, with powerful AI-assisted features, the soundtracking platform isn’t afraid of new technology, but understands the responsibility in harnessing it.
Clare and Charlie Noon shed light on Conqueror Sans, and why their welcoming identity for one of the UK’s oldest historical sites makes a “decisive break from heritage convention”.
An intimate view of craft and culinary culture, this film-to-book translation of David Gelb’s Jiro Dreams of Sushi takes a ...
Jean Pierre Consuegra and Leo Horton muse on the beauty of long timelines, the power of the Instagram DM and why creative partnerships are best when you’ve got different specialisms to bring to the ...
Showcasing the best in class for cutting edge motion design, the festival founded by Studio Dumbar/DEPT® is back for 2027, with submissions free and open now.