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In the 1960s, though, with family to support, Donaldson started making populist records long before David Sanborn - danceable music aimed at party people, not jazz snobs. And that's OK.
In the 1960s, though, with family to support, Donaldson started making populist records long before David Sanborn - danceable music aimed at party people, not jazz snobs. And that's OK.
In the 1960s, though, with family to support, Donaldson started making populist records long before David Sanborn - danceable music aimed at party people, not jazz snobs. And that's OK.
In the 1960s, though, with family to support, Donaldson started making populist records long before David Sanborn - danceable music aimed at party people, not jazz snobs. And that's OK.
The tribute series is the latest development in a continuing local trend of Vancouver jazz musicians exploring everything from the soundtracks of Oscar-winning Japanese anime factory Studio Ghibli and ...
In the 1960s, though, with family to support, Donaldson started making populist records long before David Sanborn - danceable music aimed at party people, not jazz snobs. And that's OK.
In the 1960s, though, with family to support, Donaldson started making populist records long before David Sanborn - danceable music aimed at party people, not jazz snobs. And that's OK.
In the 1960s, though, with family to support, Donaldson started making populist records long before David Sanborn - danceable music aimed at party people, not jazz snobs. And that's OK.
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